2012年7月10日 星期二

An introduction of On- line Digital Music Piracy

By Stefany Hung on April, 20th,2010

Many paragraphes were directly from original articles. If you are interest , please go further to original articles to read more. Thank You.

My apologies, this article was an introduction & wrote for my personal research purpose only.

I am trying to incorporate more new development.


I. Introduction:

With the rapid –fire emergence of Digital Music file-sharing since 1999, music sales dramatically dropped. Revenues in 2003 were about $ 20 million. In 2007, revenues the manufacturers’ level for download music, both online and mobile was proximately $ 2.92 million[1].( See Music Industry Download Global Revolution: Markets, Forecasts, and Trends , by STIX Market Research, April 2008, Paragraph 3rd)



High rate of Digital music piracy has seriously eroded the legitimate music market that leads to a situation where the recording industry has been unable to make reasonable profits. For some artists, they have been unable to sustain their living standard. There are a couple of examples (Brazil,France, Spanish, and China) as we outlined below that explain why piracy is killing the record industry.



Many governments around the world have moved forward to taking actions to rein Digital Music piracy through different approaches by making legislative changes (graduated response system), cooperating with IPR holders against digital piracy on enforcement, and providing a wide range of digital music services. Yet different and unified legislations, and policies, and legal systems in between different countries around the world have increased difficulties of IPRs enforcement against piracy cross boarders in particular when there is an issue on jurisdiction.



This thesis covers following 4 sections by which I would like to address this piracy issue from Asia perspective. And hopefully, I can give you an overview ofthe trend of legislations, policies, and court rulings on Digital Music piracy issue in Asia–pacific jurisdictions, and also the possible solutions that may be used against global digital piracy.



I). How does Internet Digital Piracy spoil legitimate music markets?

II). How court rule such high profile cases on Digital music privacy issue in Asia–pacific jurisdictions?

III) What are the current policies, legislations, enforcements of

Copyrights in Asia–pacific jurisdictions?

IV) What are the solutions against internet digital music piracy?

1) Anti-counterfeiting trade agreement.

2) Tracking site – decrypt & re-encrypt

3) International IP police and IP court.





II. Analysis:

I). How does Internet Digital Piracy spoil legitimate music markets?

In accordance with report by the International Federation of the Phonographic Industry (IFPI) in 2010 ( hereinafter is refereed to IFPI 2010 report) [2] (see Digital Music Report 2010) indicates that unauthorized services that make songs available to users for illegal file-sharing and other form of on-line piracy< known as Peer-to-Peer, Bit Torrent (BT) system, or deep links> have eroded legitimate music markets with a clear evidence that digital music market continues growing –with trade revenue up 12% to estimated US$ 4.2 billion in 2009, the overall sale of music fell by around 30 percent from 2004 to 2009. And this also leads to a situation where the recording industry was unable to make reasonable profits and artists cannot earn their livings. There are a couple of examples (Brazil, France, Spanish, and China) that explained why piracy is killing the record industry.



In IFPI 2010 report, Spain was found to have the highest rates of illegal file sharing in EU, sales of the top 50 artists fallen by an estimated 65% between 2004-2009; in France, a quarter of internet users population download illegally, which has seen album releases by local artists fall by 60% between 2003 and 2009; in Brazil sales plummeted, full priced major label album releases from the 5 music companies in 2008 were down 80% from their 2005 level. [3] ( IFPI publishes Digital Music Report 2010 )



In 2009, China's digital music market reached nearly 18 million RMB in trade value; however, only 5% of users consumed legitimate digital music via paid services. If copyright issue can be resolved, in accordance with the estimation above, the trade value of the Chinese digital music market would have reached 30 billion RMB (Investment Advisor in the release of "2010-2015 China's digital music market, Investment Analysis and Prediction of the report”[4]

Given the statistics above, we learn how Digital Piracy spoils legitimate markets. It is a signal of Global warning for music industry, isn’t?



II). How court rule such high profile cases on Digital music privacy issue in Asia–pacific jurisdiction?



Court rulings in Asia– pacific jurisdictions up to Feb 2010

The court rulings regarding Lawsuits against file-sharing services in Asia-Pacific Jurisdictions have generally followed the pattern of decisions in the United Statesjurisdiction, in favor of music groups, copyright holders. However, there are some recent cases in these regions, for example, Australia ( Feb 13th, 2010 –iiNet case[5]( Federal Court decision on iiNet vs. film and television studios by Austria Copyright council ), Japan (Oct. 2009 – Winny case [6] ( see Japanese court overturns Winny ruling, says file-sharing software is legal even if used for infringement,By Cory Doctorow) and new amendment of copyright law[7]( Japanese copyright law ), China (Jan 28th, 2010- Baidu case) where the views on the illegality of file-sharing, in particular, ISP’s and developers’ of software liability, have diverged from their US counterparts. We are now here providing a chart of court rulings for high profile cases in Asia-Pacific Jurisdictions from 2003 to 2010. The judicial climate seems to have changed!



III). What are current policies, legislations, enforcements of copyrights in Asia–pacific jurisdiction?

Responding to such a crisis, governments are gradually moving towards legislation requiring ISPs to curb digital piracy. In 2009, Japan,South Korea and Taiwan amended their copyright related laws to enhance such protection of digital copyrights. Other governments, including the Singapore,India, UK, New Zealand, have proposed new laws for adoption in 2010[8]( Digital Music Report 2010 at p.3 ).



1) Japan




A Memorandum was signed by IMPALA Members who agreed on ISP’s cooperation on online piracy around the world.[10] ( A Memorandum was signed by IMPALA Members )



l Further, on June 12, 2009 Japan amended its copyright law to crack down on illegal download and this came into force Jan. 2010. Here is the content of amendment. [11] (Japanese copyright law )


1) DOWNLOADING illegal contents will be ILLEGAL

2) Search engine cache (and data backup cache, streaming cache) will be LEGAL after the bill is put into effect as there is no way search engine companies can get permission for each and every piece of content they index.



l Basically, in the Winny case, Japan high court overturned the district court ruling, concluding that the technical value of file-sharing of the software is neutral. The purpose (of supplying the software) was purely to verify the technology. Therefore, court discharged developers’ criminal charge, and according to Japan’s new law, search engine cache (and data backup cache, streaming cache) is LEGAL from January 2010. From the judgment and new law amended, it can be seen that Japanauthority’s opinions & attitudes on developers of technology, and ISP’s liability for those illegal distribution of copyrighted works via network is changing.



2) Australia

l In February 2008, Australiagovernment clarified its position stating that downloading material or files on a file-sharing network through P2P software will generally need permission of the copyright owner.[12] ( See Internet: copying & downloading material, by Australiacouncil information sheet, Feb 2008. )


Australia is now also pondering a "three strikes" devices that would make ISPs police the file-sharing habits of their customers.[13] ( Australia Considers ISP Policing of File-Sharing;Austrlia copyright law )



l On February 13, 2010, The Autralian Federal Court has found in favor of internet

service provider (ISP) iiNet Limited (iiNet) [14] (see Federal Court decision on iiNet vs. film
and television studios by Austria Copyright council ) in a matter brought against it by
several major film and television studios and also involving the Australian Federation
Against Copyright Theft (AFACT).



3) Taiwan

On 2010.02.10 Taiwan amended its copyright law[15] ( see 2010.02.10 Taiwan amended its copyright law) which imposes obligations on ISPs to monitor on-line illegal file-sharing and distribution through its network services. ISPs must also take immediate measures to combat on-line piracy. For example to give warning notice to alleged infringers upon receipt of infringement notification from copyright holders, and expeditiously remove or disable access to the allegedly infringing content or related information upon notification by a copyright holders, and also to give counter notification to right holders so that the allegers can solve the disputes or file lawsuit against the infringer in mandatory 10 days upon receipt of counter notification.



Taiwan‘s authority has aggressively collaborated with copyright holders against digital music piracy since 2006 after the Kuro & Ezpeer case were settled. As you can see from the chart, many infringers have been convicted for illegal file-sharing, uploading, downloading, reduplicating.



According to the 2009 IFPI report, Taiwan’s digital music industry pointed out that global music sales fell about 7% , but the digital music market are thriving for more than 25%, output up to 3.7 billion NTD in trade value. It cites the effective actions taken by the authorities, including the implementation of new laws and enforcement of copyrights, have lead to increased digital music sales.



4) South Korea

South Korea is another primary example where its government has contributed to improve the legal environment combined with a wide range of commercial digital music offering by its which apparently has increased its legitimate music sale and local investment.

Much the same as Taiwan,South Koreastarted improving it legal environment

in 2007 after Soribada and Bugs 2 cases which had been prosecuted successfully and defendants finally turned legitimate.



In 2008, South Korea adopted graduated response system to its new law which allows its authority to order ISPs to give warning notification and suspend an account following 3 warnings if continuous violations are found, and must disable infringing message or content from public to access. The new law was enacted in April 2009 and became effectively in July 2009, and this has raised awareness of public in protection of copyrighted music works and has had a significant deterrent effect.



Moreover, IFPI Digital Music Report 2010[16] (see IFPI publishes Digital Music Report 2010 ) pointed out that its music sales increased by 18%, with digital sales up by 32% on the same period in 2008. Digital sales grew by 53 percent in the first 9 months of 2009. CD sales also rose in 2009 for the first time in 5 years. Preliminary research by the South Korean government also indicated that local consumers are aware of new law. In an indicative survey based on 1,000 interviews, 45% said they were illegally downloading less content.

5) China

The rate of music piracies is apparent high in China.According to IFPI statistics show that physical music sales in China in recent years has been falling continuously, compared to the 2008 and 2007, sales fell 25 percent, down from 280 million to 214 million RMB. So far there are no data released for the year 2009, but the decrease in trade value is to be expected.



An official data released in 2005, China have warned more than 7000 illegal music sites. IFPI estimates that piracy of digital music inChina more than 90% by 2008;China's Internet users download illegal music files network number more than 7.3 billion. The legitimate music sites in China were less than 20 left.



On Sept 3rd, 2005 Internet Society of China Copyright Alliance issued a "Chinese Internet copyright self-discipline Convention ", signed by 40 units to join the Convention.

It is a self-regulation in order to govern internet behaviors and promote the development and utilization of network information resources.



In December 2009, Chinagovernment shut down hundred of video and BitTorrent trackers sites, for operating without appropriating government license. [17] (see Will The Chinese BitTorrent Crackdown Boost Criminals? Written by enigmaxon December 15, 2009)

However, time will tell if such an aggressive crack down action will force customers back to illegal trade on piracy undertable or push them back to the arms of the legitimate vendors of music works. It is a question deserved to be asked and answered . Let’s just wait to see its development.



The Chinese authorities published proposed amendment to their current copyright legislation on February 26th 2010 ("About modification The People's Republic of China Copyright Act" decision "the second amendment), and came into force from April 1, 2010. However, this new amendment includes two articles which do not explicitly impose liability on ISP to take measures upon receipt of infringement reporting. However, it said in article 4 “ The publication and dissemination of works shall be subject to the administration and supervision of the State”. This may give the power to authority to order IPSs to take action block internet piracy.[18] ( "About modification The People's Republic of China Copyright Act" decision "the second amendment)







6) Singapore

A report indicated that the record music marketplace in Singaporeis under serious stress. Sales of physical product ( CDs) is free fall, with revenues plummeting in Singaporeis almost 50% from 2004-2008 2010. Many labels, both international and local ,as well s the major international music publishers , have drastically cut block their Singaporeofficers, or ceased operations there altogether. The retail market has been decimated, and wholesale operations no longer exist in Singapore. See The Special 301:Singpore by International Intellectual property alliance ( IIAP) [19] See The Special 301:Singpore by International Intellectual property alliance ( IIAP)



Here is the suggestive actions which the Singaporegovernment should take in 2010 outlined in The Special 301: Singpore by International Intellectual property alliance ( IIAP)

Enhance enforcement against end-use business software piracy, and fulfill its FTA obligations, by protecting informants, adopting a reasonable construction of the “wilfullness” requirement, and increasing potential criminal penalties.

Fulfill its FTA obligations by bringing public prosecutions against significant instances of music piracy, both online and offline.

Engage with ISPs to make responsible repeat infringer policies a regular feature of the landscape,

and otherwise to encourage cooperation with right holders to combat online piracy.

Improve enforcement against imports of piratical music CDs.

Adopt legislation specifically outlawing video cameras from Singaporecinemas.



7) India

The IIPA reports, which place Indiain a 'danger zone', significantly influence regional and international discourses on piracy. Interestingly, the IIPA in India has been very successful in regionalizing and nationalizing a global discourse. Thus, in the past few years, local industry associations in Indiain cinema, music and software have independently run highly emotional campaigns against piracy, reminiscent of IIPA's own campaigns.[20] (Enforcement of Anti-piracy Laws by the Indian Entertainment Industry by Siddharth Chadha in Blog— Jan 22, 2010 05:55 PM )



In its draft of amendment of copyright law, Section 65B “provides for the enforcement of RMIs allows attachment of civil or criminal liability towards violating persons below: Any person, who knowingly (ii) distributes, imports for distribution, broadcasts or communicates to the public , without authority , copies of any work, or performance knowing that electronic rights management information has been removed or altered without authority, shall be punishable with imprisonment which may extend to two years and shall also be liable to fine ”

Some people in a belief that this leaves room for impleading 3rd parties such as ISPs as a distributor, or broadcaster for example, by arguing that because the ISP knows that some piracy is being communicated through it, and therefore is under an obligation to find out exactly what and by whom. If this argument is sustainable, then a whole host of privacy issues on behalf of the consumers, and obligatory functions on behalf of ISPs immediately arise.

II) What are the solutions against internet digital music piracy ?



1) Anti-counterfeiting trade agreement

In a response to such a piracy crisis, many countries now are on the process of negotiating Anti-Counterfeiting Trade Agreement (ACTA), which is a legal framework aimed to against counterfeitgoods, genericmedicines, as well as "piracy over the Internet. It is proposed a plurilateral trade agreement for establishing international standards on intellectual-property-rightsenforcement throughout the participating countries. Since October 2007 as of tody, USA,European Commission, Switzerland, and Japan Australia, Canada, Jordan, Mexico, Morocco, New Zealand,Republic of Korea, Singapore, and United Arab Emirates have been joined ACTA’s negotition.

A document leaked to the public in 2008 includes a provision to force Internet Service Providers (ISPs) to provide information about suspected copyright infringers without a warrant. A March 2010 leak included the proposed text for this provision.[21] SEE Anti-Counterfeiting Trade Agreement (ACTA)

2) Tracking site – decrypt& re-encrypt

Below Paragraphes were from "Patent application title: Digital Rights Protection in BitTorrent-like P2P Systems IPC8 Class: AH04L900FI / USPC Class: 713153 / "

For many people know that BitTorrent-like ( BT) P2P systems are scalable and efficient for internet content distribution. However, BT systems are mostly used for distributing non-copyrighted or pirated digital objects on the internet. Now existing Digital Rights management techniques are mainly based on a client –server model, and cannot be directly applied to peer-to –peer based BT systems.



To leverage the efficiency and the scalability of Bit Torrent (BT) systems for Internet content distribution, the present invention discloses enhancing BT peer-to-peer systems to enable digital rights management without infrastructure changes. The technique involves runtime re-encryption of each file piece, which may already be encrypted, before a peer uploads it to any other peer. To access the re-encrypted pieces, a tracker site generates decryption keys that are unique for each peer and for each file piece. While any user can take part in the content distribution, only legitimate users with the unique decryption keys can access the plaintext of the encrypted distributed content. [22]



Here we found person named “Xinwen Zhang” who have invented a new technology

“Digital Rights Protection in Bit Torrent-like P2P Systems” to detect such illegal file-sharing and now his invention has been filed to US PTO for patent registration under review.



Here is the diagram of this patent application. Here you can see how this

Works. (See Digital Rights Protection in BitTorrent-like P2P Systems - diagram,

schematic, and image 03)[23] Digital Rights Protection in BitTorrent-like P2P Systems -
diagram, schematic, and image 03



That is each file piece is headed with a unique serial number for a peer. When this peer (uploaded) uploads this piece to another peer (downloader), the head information of the downloader is provided by the tracker site and uploaded by the up loader. However, this requires the trusted behavior of each peer, and assumes that BT client software can recognize and update the head information. Such requirements are not realistic because a general peer cannot be trusted to behave in an expected manner. Thus, the unique challenge to enforce DRM in BT system lies in the conflict between security requirements and the open environment where a peer downloads different pieces from various sources.

3) International IP police and IP court.

As we have mentioned previously, various legislations, and policies, and legal systems in between different countries around the world have increased difficulties of IPRs enforcement against piracy, in particular, on the issue of jurisdiction. In my idea, is to establish a system of international anti-piracy police whose main task is to unite global police force aimed to against piracy cross borders. Also, an international Intellectual Property Court is highly suggestive if the issue of jurisdiction cannot be resolved ( for example, for illegal file- sharing hosting websites registered outside the territory of the location where the illegal file sharing computer servers are located.)

III. Conclusion

Education is an essential element in addressing piracy, but can only form part of the solution, alongside good commercial music services and well-enforced legislation.





















[1] Music Industry Download Global Revolution: Markets, Forecasts, and Trends , by STIX Market Research, April 2008, Paragraph 3rd.

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[2]. Digital Music Report 2010 at p.3 http://www.ifpi.org/content/library/DMR2010.pdf


[3] IFPI publishes Digital Music Report 2010 http://www.ifpi.org/content/section_resources/dmr2010.html


[4]互聯網平臺過於開放 線上音樂市場發展受限 ,20100401 14:50 來源:中國經濟網 中投顧問 文章末段



[5] Federal Court decision on iiNet vs. film and television studios by Austria Copyright council http://www.copyright.org.au/news/news_items/cases-news/2010-cases/roadshow-films-pty-ltd-v-iinet-limited




[6]Japanese court overturns Winny ruling, says file-sharing software is legal even if used for infringement,By Cory Doctorowhttp://boingboing.net/2009/10/08/japanese-court-overt.html




[8] Digital Music Report 2010 at p.3 http://www.ifpi.org/content/library/DMR2010.pdf


[9] Japanese ISPs Agree to Ban Pirates from the Internet,Written by enigmaxon March 15, 2008, http://torrentfreak.com/japanese-isps-agree-to-ban-pirates-from-internet-080315/




In March 2008, four major Japanese ISP organisations agreed to work with copyright holders to track down copyright infringing file-sharers and disconnect them from the internet. The agreement, which is still under discussion, would see copyright holders tracking down file-sharers on the Internet using special detection software and then notifying ISPs of alleged infringers. ISPs would first send out emailed warnings, then block the Internet connection if action to cease the activity is not taken. For persistent breaches, the ISP would ultimately terminate the accounts of its subscribers.





[12] See Internet: copying & downloading material, by Australiacouncil information sheet, Feb 2008.





[14] Federal Court decision on iiNet vs. film and television studios by Austria Copyright council http://www.copyright.org.au/news/news_items/cases-news/2010-cases/roadshow-films-pty-ltd-v-iinet-limited





[16] IFPI publishes Digital Music Report 2010 http://www.ifpi.org/content/section_resources/dmr2010.html


[17] Will The Chinese BitTorrent Crackdown Boost Criminals? Written by enigmaxon December 15,


2009 http://torrentfreak.com/will-the-chinese-bittorrent-crackdown-boost-criminals-091215/




[19] See The Special 301:Singpore by International Intellectual property alliance ( IIAP)http://www.iipa.com/rbc/2010/2010SPEC301SINGAPORE.pdf




[20] Info

Enforcement of Anti-piracy Laws by the Indian Entertainment Industry by Siddharth Chadha in Blog— Jan 22, 2010 05:55 PM







[22] Patent application title: Digital Rights Protection in BitTorrent-like P2P Systems


IPC8 Class: AH04L900FI / USPC Class: 713153 / http://www.faqs.org/patents/app/20090210697#ixzz0ldOYOW8bhttp://www.faqs.org/patents/app/20090210697#ixzz0krzHfrkF



[23]Digital Rights Protection in BitTorrent-like P2P Systems - diagram,


Patent application title: Digital Rights Protection in Bit Torrent-like P2P Systems: http://www.faqs.org/patents/app/20090210697#ixzz0krPyxVv0




2012年7月5日 星期四

0628 「由可攜式產品技術發展探究無線充電未來商機趨勢論壇」後記

By Synergytek (律德法律事務所策略聯盟專業團隊)

上週(6/28)與光電科技雜誌合作,從專利情報探討無線充電未來的競爭態勢,距離第一次研究這個主題的時間已經快要兩年了,由於專利情報受限於18個月早期公開的限制,當時(20109 Ctimes邀請)真的是無法想像,原來當年全球各企業共提出將近1000件專利構想(以發明構想為單位,同一專利家族合併計算)。照這樣的發展趨勢來看,這兩年每年的新專利申請數量應該會超過1200件以上。






















非接觸電力傳輸專利申請趨勢
























近期公開的美國專利申請案(以WIPS Advance製圖)

由於近幾年的專利申請量占總數蠻大的比率,所以企業間的競爭態勢,就有可能因為近期的研發與專利申請數量而產生差異。在這次的研討會當中,很明顯的看出總專利申請量排名前三名的PanasonicToyota以及Seiko Epson三家公司,在近5年的數量排名當中反而下滑許多,取而代之的是QualcommAbb Research以及Powercast等公司。當然,如果您對專利實務有一定的了解的話,還可以對目前的排名持一定的保留態度,目前因為專利公開資訊大部分都還在申請中的狀態,按照目前各國專利申請到最終審定所需的時間,平均需要3年左右的時間推算,可能還要等個兩三年,才會知道誰是非接觸電力傳輸技術真正的霸主。
















主要專利申請人(整體數據)














主要專利申請人(2005年以後申請)

如果未來非接觸電力傳輸技術能夠廣泛運用在手持式裝置上,就如同現在每台智慧型手機都要使用觸控螢幕的話,將會是一個相當龐大的商機,而美國市場研究機構iSuppli在去年20115月發表一份的統計及預測,預估到2015年,非接觸電力傳輸技術市場規模預估將超過200億美金。為了競逐這龐大的商機,我們發現不同技術陣營的廠商開始出現不同的競合策略。例如以電磁感應技術為主的廠商於2008年底成立了Wireless Power Consortium(簡稱WPC),截至目前為止已經累積超過100家會員加入。而由MIT麻省理工學院於2006年所公開的隔空傳電所採用的電磁共振技術,由於可以突破充電器與充電設備空間需鄰近的限制,應該更符合消費市場的需求,近幾年的發展也相當迅速,甚至Samsung以及Qualcomm等多家公司也成立了Alliance for Wireless Power(簡稱A4WP),企圖將應用市場延伸到電動車以及車內充電的領域。




專利風險BCG矩陣,修改自STPI產業資訊室

我們發現企業大廠在進入這高報酬但卻又高度風險的市場,研發及專利布局真的是進退有節,甚至MIT的團隊在五年不到的時間,就創立了WiTricity公司,並將技術授權給多家企業。但是從專利及市場情報當中,只看到偶有些獨立發明人、學校有相關專利產出,國內廠商似乎也以單打獨鬥方式在鴨子滑水。

希望本文可以提供當天未能參加研討會的朋友一些參考的資訊,也期待後續要投入這個市場的廠商,可以採用更積極的創新管理方式,才能以小博大,後來居上。當然我們也會持續追蹤這個技術發展,協助各位。


2012年6月30日 星期六

Self-Healing Cloud - 身處雲端世代,您的雲端資安夠保險嗎?


筆者:洪菁黛律師/ 律德法律事務所律



當許多行動裝置及無線上網不斷地快速成長,改變了人民使用網路及資料存取的習慣,這樣的趨勢使人們對於資料存取的習慣,包括收發郵件及下載音樂,從以往的硬體移轉到了雲端。目前資訊科技最熱門的議題莫過於雲端,因此,許多資訊安全的議題也被廣泛討論及重視。



一項報導顯示(註一) IT security problems shift as data moves to 'cloud' 美國軍方和政府機構,從中央情報局,聯邦航空管理局也是利用雲端系統,在世界各地進行資料之存取,因為此舉不單可節省經費 ,同時也可以提高安全性。且策略分析家也預測,美國對於雲端服務的經費投入,將從2011年的310億美元增加至2016年的820億美元。



目前在雲端市場上的主要玩家,包括微軟,谷歌,亞馬遜等公司,正尋求將數據存儲問題移轉一些更複雜的數據傳輸中心;而像甲骨文,SAPSalesforce.com這類的公司就提供了這樣的雲端服務。



雖然實施雲端對於資訊安全性所造成的影響,尚未得到充分的分析,但雲端很可能產生新的漏洞和問題。許多專家即表示,雲端不可能是絕對安全的,正如同任何竊賊隨時都可能破門侵入您的住宅,但問題是,您的房門鎖是否比鄰房門鎖更牢靠,及需花多久時間破門?

    
    您知道嗎,雲端所涉及之資安的問題,遠比你想像中來的嚴肅 。因為一旦一個雲端系統遭到破壞,所丟失的資訊數量往往遠遠比丟失儲存在一台或數台電腦中的資訊量更為龐大,影響範圍所即也更大。例如,最近Sony PlayStation Network, LinkedIn and Google's Gmail service遭到駭客攻擊,甚至有駭客表從79間主要銀行偷了大量的信用卡號碼。因此,您應該可了解,雲端中存儲的信息,其實是網路犯罪分子的潛在金礦。



    目前美國政府,正投入經費從事一項 “ Self-Healing Cloud 即自癒雲的研究開發,是由Defense Advanced Research Projects Agency所資助麻省理工學院4年的研究計畫,即開發一項類似人類免疫系統自動修復數據的系統。這是當資料在雲端遭受到入侵,系統會有自動偵測及修復之功能。當然,研究者也表示,如果他們能完整了解每個系統的行為如何影響雲,那麼更能有避免雲端系統遭受攻擊 (註二) DARPA, MIT Research A Self-Healing Cloud



    雲端的安全性,目前尚未有定論,雲端相對地便利,但也同樣地開啟了許多問題。例如,在雲端中進行一項資料的稽核時,你並不會知悉這資料是否曾被刪除或更新過。

    而日前, 分析家也發現有所謂" 假雲",其提供了低成本的雲端替代品,但這通常是犯罪集團所經營,而他們主要的目的是監督這樣的雲端運作,同時竊取資料。因此,個人資料的隱私、安全性、所有權,與資料遺失該由何人負擔責任,及政府在何種程序下得接觸個人或企業的雲端資料,更是現今十分重要的議題,值得我們深入地研究。



    許多專家並無法為您應選擇將資料儲存於雲端或個人的儲存設備,做建議及決定;但如果您想完全保障隱私,就別將資料上傳到雲端,或者,您應建置更好的資訊科技的基礎設施。



        筆者2010年在linkedin 網站曾針對雲端安全性爭點提出討論,而最近國內許多資訊專家亦對加強雲端邊境防禦力的問題提出關切, 都在告訴著身處雲端世代的我們, 雲端資安及加強邊界防禦力,已經是我們必須正視及思考對策刻不容緩的課題。又關於雲端資安漏洞所造成之損失,企業可否透過保險來分散風險?再者, 保險業者承保的態度及意願如何,以及配套的法制如何建制,應該都是值得深入研究的議題。



資料來源:

(註一)  IT security problems shift as data moves to 'cloud' http://www.chinapost.com.tw/life/science-&-technology/2012/06/25/345415/IT-security.htm

(註二) DARPA, MIT Research A Self-Healing Cloud http://www.informationweek.com/news/government/cloud-saas/232601581

2012年6月17日 星期日

您知道家中電源插座短路發生失火,房屋所有權人有可能構成刑法上之失火罪嗎?


筆者: 洪菁黛律師/律德法律事務所

筆者的一位客戶在上班時,忽然接到大廈管理員來電告知,家中發生大火,高堂老母因之受傷,緊急送醫急救後幸無大礙。隨後,該客戶旋遭地檢署以違反公共危險罪章中之失火罪而傳喚到庭訊問。

您以為家中失火遭撲滅後,就沒事了嗎? 那你恐怕就錯了. 針對失火,我國刑法第173條到第175條定有失火罪,本文說明甚麼情形構成失火罪及司法實務的見解為何。



【家中電器線路老舊短路所引發之火災,可能適用之法條】
我國刑法原則上只處罰「故意」行為,至於「過失」行為,以法律明文規定為限。針對以上案例,家中電源線路老舊、短路所引發之火災,一般係以刑法第173條第2項失火罪加以追究; 如情形嚴重,致人死或傷,更可能構成刑法第276條過失致死或刑法 284條之規定傷害罪,讀者不得不慎!


【失火罪的構成要件】
  若發生火災,讀者首先須需判斷是否該當失火罪的法條的構成要件。 一般而言,失火罪為過失犯,其構成要件上,行為人主觀上必須有應注意、能注意、而不注意等義務之違誤;而在客觀要件上除依所燒燬的「客體」有區別外;該客體尚須達到燒毀程度。過失行為與結果間,在客觀上有相當因果關係始得成立。

茲簡單說明后:

1. 行為人主觀上要有應注意、能注意、而不注意等義務之違反。
 最高法院82 年 台上 字第 4968 號裁判: 身為oo 公司實際經營者之被告連oo並未善盡其業務上 應盡之注意義務,督導所屬員工妥善保養 車 輛,以維車輛之行駛安全;擔任遊覽車司機之被告楊oo則疏未注意檢查車輛之機件及安全設施 等是否確屬安全有效,更粗心大意在車內放置易燃物品, 致車輛在行駛途中失火燒燬,使被害人侯oo等廿三人逃生不及,悉遭燒死,自均應負過失致人於 死罪責。


2. 過失行為與結果間,在客觀上有相當因果關係始得成立。
所謂相當因果關係,係指依經驗法則,綜合行為當時所存 在之一切事實,為客觀之事後審查,認為在 一般情形下,有此環境,有此行為之同一條件,均可發 生同一之結果者,則該條件即為發生結果之相當條件,行為與結果即有相當之因果關係。反之,若在 一般情形下,有此同一條件存在,而依客觀之審查,認為不必皆發生此結果,則該條件與結果並不相 當,其行為與結果間即無相當因果關係。

最高法院85 年 台上 字第 5711 號裁判: 本件被告之機車店於打烊後,縱未清掃地面而留有油漬、 紙張等物,惟因油漬、紙張等物品並無自燃性(見原判決理由五),在一般情形下,如無其他火源之 介入,當不致發生火災,是被告未清理油漬、紙張等物之行為,不能認為與其打烊離去後,因其他偶 發之原因引起火災之結果間,有相當因果關係,而責令其擔負過失犯之刑責.

3. 其次,就客觀構成要件部分:


1) 應先依區別失火所燒燬的客體:
「現住物」、「非現住物」、「公共運輸交通工具」、「自己或他人之物」及「其他之物」?

A. 第173條第2項「現供人」:
失火燒燬「現供人」 使用的住宅,或「現有人」 所在的建築物、礦坑或、交通工具(火車、電車或其 他供水、陸、空公眾運輸之舟、車、航空機)罪

B. 第174條第3項前段「現非供人」:
「現非供人」使用的「他人」住宅,或「 現未有人」所在的「他人」建築物、礦坑或交通工具(火車 ,電車或其他供水、陸、空公眾運輸之舟、車、航空機)

C. 第174條第3項後段「自己所有物」:
            失火燒燬前項之「自己所有物」,致生公共危險罪;

D. 第175條第3項:
 前二條以外的物品以及失火燒燬前二條以外的物品,致生公共危險罪。

2) 再判斷該客體是否燒燬?

應如何判斷有無達到燒毀程度?有以下不同學說:

A. 獨立燃燒說
B. 重要部分開始燃燒
C. 重要部分效用喪失
D. 建物等客體外形毀壞效用完全喪失
 (最高法院87 年 台上 字第 1719 號,79 年 台上 字第 2747號)

  最高法院 79 年 台上 字第 2656 號 : 查刑法第一百七十三條第一項所謂放火燒燬現供人使用之住 宅,必須房屋構成之重要部分已燒燬,如 僅房屋內之傢俱、物件燒燬,房屋本身尚未達喪失其效用之 程度,即不能依該條項論罪,依原判決事實之認定,房屋構成部分並未燒燬喪失效用,上訴人放火結 果 僅燒燬傢俱及物件,應係犯同條第三項、第一項放火燒燬現供人使用住宅未遂之罪名,原判決論以 同條第一項之既遂罪,自屬違誤。

3) 另須依法條之規定,判斷該罪係屬抽象危險?還是具體危險?

A. 法律針對所保護之「公共安全」等法益,依侵害之程度而區隔為抽象危險及 具體危險。
如法條規定 〔致生……〕等字眼,是屬具體危險;如法條規定〔致生……之虞〕或構成要件中僅要求一定的實行行 為者,此為抽象危險。

B. 簡言之,具體危險犯,需產生一定具體之危險結果;而抽象危險犯,則僅需著手一定實行行為或是行 為或不行為有造成一定危險之可能即可。為何有此種區別? 因為針對公共安全之維護,有時出於防患 未然的之考量,故將其提前於危險發生前即加以保護,此法益保護之前置性處罰規範,故有所謂「 抽 象危險」;至於處罰發生一定之結果者,則屬「具體危險」。

C. 以我國刑法之規定說明

173條 : 屬於抽象危險犯
174條:「非現住物」區分兩項- 第1項他人所有,為抽象危險犯;第2項自 己所有,為具體危險犯。
175條:前兩條以外之其他財物 ,區分為兩項- 第1項他人所有、第2項自己所有,惟兩者均為具體危險 犯。

【我國司法實務見解】
針對173條所指: 失火燒燬現供人使用的住宅或現有人所在的建築物、礦坑、火車、電車或其他供水陸空公眾運輸的舟車航空機者。

以實務見解提出以下說明:

1、現在性的問題:

「現在性」並非以放火行為當時必須確實有人在住宅或建物內為必要,僅需平時供人使 用的住宅或建築物即可( 最高法院88 年 台上 字第 5411 號裁判 )。最高法院24年上1085號裁判: 「被燒之圖書室為學校之一部,縱使放火時無人在各該室內,但該學校夜間 既有人值宿,即不能以起火之 時圖書室偶然無人之故,遂謂該校全部非現有人所在之建築物。 」

2、「供人使用或現有人所在」 :

係指行為人以外的第三人而言:最高法院88 年 台上 字第 6550 號裁判

  a) 所有物經投保,並不被視為他人之物。 最高法院28 年 上 字第 3218 號裁判 :「舊刑法第二百零九條雖有自己所有物已保險者,以他人所有 物 論之 規定,但刑法並不採用此種立法例,故燒燬之住宅或建築物等,如 屬於犯人或其共犯所有,縱令 已經保險,仍應論以燒燬自己所有物 之罪,原審既認上訴人與業主某丁商通放火,藉以詐取保險賠款, 是其燒燬之房屋,係屬共犯所有,該屋雖經保險,亦與同法第一百 七十四條第一項所稱他人所有之條件 不合。」


b) 對於大廈或公寓等整體建築,就公共安全的角度而言,自己跟他人所擁有的住宅部分具不可分性,故仍 屬第刑法第173條所處罰之範 圍 (最高法院81 年 台上 字第 2734 號 ): 大廈或公寓式的建築是屬於整體建築,蓋自己跟他人擁有的住宅建物,就建築之空間與公共安全而言, 具有不可分性;因此在自己單獨使用的住宅內放火或造成失火,與實際上對整棟公寓或大廈放火或造成無 異,應以第173條第1項論處。


3. 公眾運輸之意義:

指供不特定多數人所搭乘的公眾運輸工具,若非不特定多數人所搭乘的公眾運輸工具係屬刑法第175條其 他財物的範圍。

4. 一罪或數罪之問題:

一個失火行為,所燒燬之對象縱有不同,但因行為只有一個,而應為整體之觀察,成立單純一罪(最高法 院台上2608號判決可參) 。

----------------

針對實務上檢察官的處理結果: (註1)

  不起訴處分之案例:
甲為碳材實驗室之負責人,實驗室不排除因火種(菸蒂)掉落紙箱內蓄熱而引起燃燒。鑑定原因以藥品櫃 由外側往內燒。起火處無揮發性燃劑潑灑致燃燒、附近電氣未發生短路、電源亦屬正常、亦非藥櫃內所 置物品自燃所致。因此,不排除因火種(菸蒂)掉落紙箱內蓄熱而引起燃燒。實驗室雖由被告管理,但於 每日開鎖後,其他學生均能自由進出,被告本身並不抽菸,而調閱監視錄影帶,易未見他人接觸該藥櫃, 現場未採集到指紋,復無他人目擊火災發生,故難謂被告該火災發生之行為人。 且該火災並未延燒到同層其他實驗室,故建物本體結構並未嚴重受損,故難謂已達燒燬建物之程度。 故 難以第173條第2項之失火罪相繩。


 緩起訴處分:
乙教授為實驗室之主持人,負責維修管理及運轉,明知實驗室內經常使用酸性溶劑,將使實驗室空氣偏 酸性,會導致電源配線絕緣劣化之危險,應按時檢修。該電源線短路造持火災,燒燬實驗桌,天花板及抽 氣櫥櫃。標的物雖燃燒,但尚未達喪失效用之程度,難謂已達燒燬建物之程度(最高法院87 台上1719判 決)


 職權不起訴處分 :
實驗室潮濕,線路老舊,馬達線路老舊,引起火災,使火勢蔓延,屬刑法175條第3項所規範,刑事訴訟法 第三百七十六條微罪不舉。


 簡易判決處分:
應注意、能注意、而不注意,應隨時檢查電源線路設備以免老舊、造成短路。該案因電源插座因接觸不良 而引起或劣化而發熱起火,燒及實驗室桌、木櫃、紙箱及塑膠瓶引起公共危險。  電源插座因接觸不良而引起或劣化,不外人為疏忽、不當使用及設備老舊,此為財產管理人之責任,應於 期限屆至,予以更新。實驗室內有分工,要求專業教授精研用電安全,進而苛責其必須了解電源插座因接 觸不良而引起或劣化,而邀其負起不作為之法律責任,並非合理。

 94年重上更(二)字第256號
  臺灣高等法院臺南分院刑事判決 被告於右揭時、地承租上開建物一樓及地下室經營上開餐飲業,理應注意維護建築物合法使用與其構造及 設備安全規定,竟將上開大 樓一樓右側原有之違建鐵皮屋廚房沿戶外二樓通往一樓之木門及安全梯阻塞, 嚴重影響營業處所防火避難設施,亦疏未注意有內部裝修材料不符,迭經消防檢查人員告知不得無照營業 及臺南市政府因建築物擅自變更使用有違規定,應立即停止使用等令函,再參以該茶坊屋內設計竟有「內 部裝修材料不符」、「避難層出入口封閉或阻塞」、「安全梯封閉或阻塞」等違反維護防火避難設施之情 況,此有建築防火避難設施與設備安全檢(複)查報告書影本附卷可按(附於偵字第一○九六一號卷一第 7 頁、第 8 頁)。其有過失,甚為明確。

簡言之,屋主應定期檢查家中老舊電源線路,並汰舊換新, 否則短路失火, 害人害己, 得不償失!


參考資料:

  (註1) 以實驗場所負責人之法律責任為中心,解析校園公共危險之罪與罰 法務部檢察司主任檢察官 吳義聰著.

2012年4月24日 星期二

德國最新判決 - 德國音樂著作人保護協會(GEMA)控告Google影音網站YouTube 乙案

德國最新判決 - 線上平台業者法律責任 筆者:洪菁黛律師
在2012/4/21德國法院就「德國音樂著作人保護協會」(GEMA)控告Google影音網站YouTube 乙案,判決GEMA勝訴,同時要求YouTube必須設機制過濾侵權內容, 法官Heiner Steeneck在判決中指出,Google 並不直接為被上傳的侵權內容負責,但 google 必須設置機制以過濾侵權內容;該法院也同時拒絕德國音樂著作人保護協會請求google 應將所有的音樂檔案分類存檔,且應清除有著作權之內容等行為。這項判決仍得上訴,但如經確定,預料將會為線上平台業者的法律責任及權利金給付義務創下先例。

截至目前為止,雙方仍於協商談判權利金中,google則表示將繼續上訴。 筆者認為,德國法院要求google 設置機制以過濾侵權內容, 是否即係要求google 對於用戶之上傳之內容應負完全審查義務之責任? 亦或是要求google如果在設置過濾機制之前題下,其責任得維持於受侵權通知時,才負移除義務, 目前見解看似未明。 若為前者,法院要求google 對於用戶上傳之內容應負完全審查義務,此是否將使平台業者之責任過重, 值得深思。

 蓋像google 這樣的平台業者在網際網路的即時及全球網路用戶急速增加的特性下,並無法同步有效審查用戶在全球各地,同一時間所同時上傳數以萬計之內容;倘若設關鍵字加以檢索之機制,恐將過濾掉所有具關鍵字之相關內容,包括侵權及不侵權之內容。

又在美國數位千禧法案下,一般網路平台業者只在接獲權利人之侵權通知時,負暫時隔離用戶接觸侵權內容,甚或移除之義務 ,但要求 google 對於用戶直接上傳之侵權內容負責,是否使google 在未接獲通知(不知情)之情形下,負擔侵權責任,恐怕不利線上平台業者及科技之發展。 若是後者,即要求像google這樣的平台業者,在設置過濾侵權內容機制之前提下,其責任於業者受侵權通知時,才負移除義務, 一方面提高業者之管理責任,一方面對於業者的法律責任做適度之規範,似乎合理。

筆者頗能認同,權利人由線上平台業者端處理授權金之問題(不管法律認定該等有爭議之內容,是屬於合理使用或為強制授權之範圍內), 若有授權之問題,由上傳內容者及平台業者合理比例負擔,應是合理而可接受的。


日前,筆者曾閱讀一本書” REMIX: Making Art and Commerce Thrive in the Hybird Economy “ by lawrence Lessing,挺有趣的. 這是一本討論混搭創作、商業經濟及著作權的問題的書,內容提及在目前分享經濟之下,現行著作權法概念受到一些衝擊,例如, 原著作權法概念十分堅守“唯讀文化 ” ,所謂守“唯讀文化 ” 是消費:指原創藝術,係禁止讀者改寫著作; 所謂 “讀寫文化:指鼓勵讀者利用舊著作,創造新著作,能產生新經濟,不單僅是消費原著作,此類型在現行科技發展及分享經濟之下,十分常見,甚已成為主流。


因此,有些法律學者,已開始主張許多混搭、重混著作之行為,在” 特定情形” 下,不應列入侵權,這個論點對我很有說服力,值得思考。 如果一個原生著作完成後,留給消費者《讀者》的只有消費經濟,亦即讀者只能讀不能改,此為唯讀文化;但如能於某種程度下容許讀寫文化,即容許讀者改寫舊著作而創造新著作,因而產生經濟,反能增加原生創作之價值。 蓋如果不能改寫原著作,讀者,就只能消費舊著作,誰還願意投資讀寫文化。因此,在這概念下,作者提出” 強制授權” 及 “ 創用CC “ 的概念,以兼顧原著作權人及改寫作者的權益,十分有說服力,不是嗎?若以這個角度來思考本案訴訟,許多授權及商業經濟的問題,也許就不那麼複雜了。